Collective
The búlago set down in each initiative’s world in turn — risk and insurance, art and culture, and the rest of the collective — the same small clay figure witnessing every room.
A trilogy about the whole of CEMI rather than any one part of it. Two films are finished; a third is coming. The same clay búlago runs through them — the mark of the collective, made by hand and carried from world to world.
The búlago set down in each initiative’s world in turn — risk and insurance, art and culture, and the rest of the collective — the same small clay figure witnessing every room.
The origin of that figure: the búlago taking shape out of raw clay under a moving light, the initiatives that carry the mark, and the CEMI end card the piece resolves to.
The third film of the trilogy is being made. It will appear here when it is finished.
The clay figurine that runs through both films is a signature prop — an object cast rather than dressed, there to hint and to witness. The discipline behind that choice is written down in The Human Grammar.
Institutional films are one of the things the MediaMax discipline is built for — one idea, carried across every genre it needs, as a single continuous piece.
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